Fond du Lac Community Theatre

Fond du Lac, Wisconsin  U.S.A.

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Fond du Lac Community Theatre presented Andrew Lloyd Webber's hit musical

based on the life of Eva Duarte de Peron, was staged with six performances on February 27 & 28, and March 1, 6, 7, & 8, 1997 at 8:00 P. M. at the Goodrich High School Little Theater.

 

Lyrics by Tim Rice.  Music by Andrew Lloyd Webber.

Cast of Characters
"Che" Tim Roltgen
"Eva Duarte de Peron" Pam Stansbury
"Peron" Larry Goebel
"Magaldi" John Newman
Mistress Kim Schultz
"Young Eva" Georgia Schoenknecht
Youth Chorus  (listed in alphabetical order)
Theresa Goebel Tony Goebel John Lanari
Janis Manthey Jolene Manthey Elise Thelen
Chorus  (listed in alphabetical order)
Emily Ahrens George Armstrong Shane Barber John Bollig
John Bollino Tony Casetta Dan Derge Shirley Gedlinske
Katherine Gilliland Judy Goebel Shane Haensgen Kerry Henschel
Sara La Feber Jerry Martin Dena Meyst Will Meyst
Bryan Michaels  Jason Nett Hans Obma Ben Overlein
Sue Pilsl Alysha Rosenthal Bruce Seibel Jim Strasser
Pat Teofilo-Moser Ward Trastek Kim Uecker Ann Yockey
Dan Zeleske Patty Zielieke

 

 

Behind the Scenes - Our Production Staff
Director Jan Stoegbauer
Producer Debi Debbert
Choral Director Judy Sengstock
Music Director Tess Flaherty
Orchestra  (listed in alphabetical order) Jim Arthur, Jennifer Brady, Cindy Chang, Jason Ehlert, Kari Foster, Becky Heider, J. R. Julka, Mary Liz Julka, Joe Mitchell, Angie Myreshuck, Paul Phelen, Sarah Radke, Robin Speidel, Steve Speidel and Dale Shipe
Choreography Kim Uecker, Ann DeWilde and Lisa Weinshrott
Stage Managers Claudia Winland and Mary Runde
Stage Crew  (listed in alphabetical order) Beth Debbert, Debi Debbert, Emily Haskins, Elizabeth Konen, Tom Lanari, Megan Meilahn and Sara Winland
Set Provided by Midwest Scenic Supply
Poster Artwork Dik Butler
Poster Design John Silah
Properties Claudia Winland
Make-Up Kathy Hilbert
Make-Up Crew  (listed in alphabetical order) Kay Conrad, Dan Derge, Linda Gappa, Lucy LeMieux, John Nonesteid and Betty Trent
Costumes Karen Kelm
Technical Work Fondy Tech Crew
Technical Director John Silah
Lighting Designer Bill Leisses
Light Board Operator April Steffes
Sound Consultants Dave Weiss and Jody Werzinske
Sound Board Operator Dean Baus
House Debi Debbert
Tickets Ann Yockey
Publicity Tammy Eichhorn
Programs Judy Theis
Publicity Photographs Studio One

Based on Broadway by Robert Stigwood in association with David Land.  Directed on Broadway by Harold Prince.

"Evita" was presented by a special arrangement with, and all authorized materials were supplied by Music Theater International, 545 Eighth Avenue, New York, New York 10018.

History:  "Evita" was made into a major motion picture starring Madonna as "Evita Peron" and Antonio Banderas as "Che."

 

Don't Cry for Me, Argentina -- a reminisce by John Silah

 

     In 1997 FdLCT performed “Evita.”  It was a great show.  Although it is an Andrew Lloyd Webber, it is darker than most of his.  But this show would prove particularly memorable.

     A lady with a wonderful voice, Pam Stansbury, played its title character.  Pam sang her heart out for many performances.  On the evening of her final performance, she came down with laryngitis.

     Even though she had an understudy, she went on.  Many FdLCT members have that kind of determination.  The soundman gave her a headset mic - one on a rounded stem that put the tiny mic right in front of her mouth.   It would pick more sound than any other mic available.  Whatever amount of sound she could make, the audience would hear it.

     We were rear-projecting slides onto a scrim during the show.  Towards the end of the show, the remote focus wasn’t working.  It would have to be adjusted manually.  The slide projector was up high, perched on scaffolding at the back of the stage.

     My crew was trained well enough to continue without me, so I went backstage and climbed up the scaffolding in the dark while the show was still going on.  As I climbed, I had to be careful not to shake the scaffold so that the picture would not move.  I reached the top, corrected the focus, and then decided to stay up there until the end, rather than climbing back down in the dark and risk shaking the picture.  So I wound up watching the ending of the show from a unique point of view, looking down at the actors from a perspective above and behind them.

     At the curtain call, the audience gave a rousing ovation, and the rest of the cast onstage gave a special round of applause to Pam.  There were tears flowing as Pam’s fellow cast members showed their appreciation for her extraordinary efforts.

 

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