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Fond du Lac Community Theatre
presented Andrew Lloyd Webber's classic musical
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at the Goodrich High School Little Theater with ten performances: seven evening shows, on February 29, March 1,
2, and 7, 3, 9, 1996, at 8:00 P. M. plus three afternoon (matinee) shows on March 3, 9, and 10,
1996, at 2:00 P. M.
Lyrics by Tim Rice,
Music by Andrew Lloyd Webber |
| Cast of
Characters |
| "Joseph" |
Jim Lane, Caleb Murray |
| Narrator |
Leah Reddy and Pam Werdin Stansbury |
| "Pharoh" |
Jeff Werdin |
| "Jacob" |
Bruce Seibel |
| Butler |
Orin Mueller |
| Baker |
Tom Yockey |
| "Potiphar" |
John Emery |
| "Mrs.
Potiphar" |
Sara Lane |
| Ismaelites |
Tony Casetta and Tom Yockey |
| Joseph's Brothers |
| "Reuben" |
Jon Gilliland |
| "Simeon" |
Nate Hebert |
| "Levi" |
Bryan Michaels |
| "Napthali" |
Matt Miller |
| "Isaachar" |
Tom Otte |
| "Asher" |
Jason Pucker |
| "Dan" |
Tim Roltgen |
| "Zebulun" |
Norbert Schmidt |
| "Gad" |
Dan Zeleske |
| "Benjamin" |
Ken Litscher |
| "Judah" |
Paul Ziesmer |
| Men's Ensemble |
Jarrod Lewis and Jason Nett |
| Wives (listed
below in alphabetical order) |
| Ann DeWilde |
Stacey Ewald |
Kristi Gerner |
Jaclyn Grahl |
| Jimmy Hackbarth |
Marcia Hackbarth |
Michelle LeBeau |
Angela Otte |
| Barb Piatt |
Emily Wagner |
Alissa Zimmerman |
| Women's Ensemble (listed
below in alphabetical order) |
| Katherine Gilliland |
Laura Norton |
Jenny Oestreich |
Kim Zielieke |
| Children's Chorus
(listed below in alphabetical order) |
| Clark Ausloos |
Denae Austin |
Kristin Buranich |
Dan Colwin |
| Annie Fischer |
Jason Fuller |
Meagan Gilliland |
Meaghan Harvey |
| Katie Kottke |
Meredith Lichtenwald |
Janis Manthey |
Collie Moody |
| Nicole Moody |
Tricia Moody |
Teddy Mueller |
Stacey Pucker |
| Emily Rebek |
Jordan Santiago |
Tara Santiago |
Andy Schmidt |
| Gini Schmidt |
Rebecca Schob |
Jared Scholz |
Keah Schuenemann |
| Val Shipe |
Elise Thelen |
Marjorie Trew |
Julianne Woodrow |
| Aaron Zeleske |
Adam Zeleske |
Christopher Zielieke |
| Dreamcoat Dancers
(listed below in alphabetical order) |
| Jennifer Allen |
Emily Enders |
Wendy Hicks |
Sara Lane |
| Sandy Lichtenwald |
Kati Litscher |
Maureen Manowske |
Polly Muthig |
| Rebecca Riedner |
Megan Roehrig |
Becky Schmidt |
Paula Schneider |
| Amy Verbeten |
Lisa Weinshrott |
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Orchestra |
| Orchestra Conductor |
Pete Runde |
| Trumpet |
Steve Speidel |
| Woodwinds |
Mary Liz Julka, Tess Flaherty and Jill Radke |
| Trombone |
Jason Ehlert |
| Guitar |
Brian Butzen |
| Bass Guitar |
Beth Hoepfner |
| Keyboards |
Carol Larson, Judy Sengstock and Paul Thelen |
| Drum Set |
J. R. Julka |
| Percussion |
Bob Milanowski |
| Behind the
Scenes - Our Production
Staff |
| Director |
John Newman |
| Assistant Directors |
Bruce Muthig and Ward Trastek |
| Music Director |
Warren Larson |
| Orchestra Director |
Pete Runde |
| Stage Manager |
Mary Runde |
| Assistant Stage Manager |
Claudia Winland |
| Stage Crew |
Debi Debbert, Bethany Debbert, Tammy Eichhorn, Emilia
Haskins, Carrie Kelly, Elizabeth Konen, Kara Kowalsky, Jason O'Connor and Sara Winland |
| Dreamcoat Dancers' Choreography |
Becky Larson and Lisa Weinshrott |
| Cast |
John Newman |
| Rehearsal Pianists |
Carol Larson and Judy Sengstock |
| Children's Coaches |
Jaclyn Grahl and Marcia Hackbarth |
| Costume Director |
Diana Dunham |
| Costumes |
Ruth Ausloos, Mercedes Halfman, Kris Kottke and Mary Jo
Vescio |
| Publicity |
Tammy Eichhorn and John Silah |
| Make-Up and Hair Director |
Kathy Hilbert |
| Make-Up and Hair |
Linda Gappa, Sara Lane, Christina Leal, Allison
Leisses, Lucy LeMieux, Polly Muthig, John Nonestied, Sara Nonestied, Paul
Schneider, Betty Trent, Amy Verbeten and Lisa Weinshrott |
| Technical Work |
Fondy
Tech Crew |
| Announcer and Technical Crew Director |
John Silah |
| Light Board Operator |
Heather Austin |
| Lights |
Melissa Critchley, Becky Hall, Erik Homuth, Melissa Hunt, Dean Johnson,
Lucas Marsh, Christina
Pease, Adam Skeel, April Steffes, Michael Trieloff, and Lisa Weinshrott |
| Special Lighting Effects |
Bill Leisses and Bill Hebert |
| Pyrotechnics |
Bill Hebert |
| Sound |
Dean Baus, Roy Johnson, Tom Lanari, and Mark Ziegler |
| Mega-Mix Sound |
Record Entertainment |
| Mega-Mix Sound Recording |
Chris Neuner of Adventure Audio |
| Properties |
Claudia Winland, Sara Winland and Jan Stoegbauer |
| Set Construction |
Jan Stoegbauer, Cindy Entringer, Jim Strasser, Art
Kalsbeek, Michael Kalsbeek, Claudia Winland, Tom Otte and Angela Otte |
| House |
Debi Debbert |
| Tickets |
Ann Hockey |
| Program |
Judy Theis |
| Publicity Photos |
Studio One Photography |
| Poster Design |
John Silah |
| Poster Art |
Dik Butler |
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"Joseph and the Amazing
Technicolor Dreamcoat" was presented through special arrangement with and all authorized performance materials are supplied by Music Theatre
International, 545 Eighth Avenue, New York, New York 10018
By arrangement with The Robert
Stigwood Organization and David Land.
Copyright in this play is owned by
the Realty Useful Group pic, London, United Kingdom.
Technicolor is the registered trademark of Technicolor group of companies. |
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The Hat Tradition Begins, a reminisce by Pete Runde
Talking about ‘Joseph,” there are two things that I can remember. One was that Claudia Winland made a cap for me to wear, as Orchestra Director, with a gold pyramid on the top. And I felt really foolish about doing that. And so
maybe the second night I put that on in the very last song and hoped nobody would notice. But a lot of people thought it was cool, so by the end of the show I was wearing it all the time. And I think we started a tradition that lasted maybe fifteen years, because I know Warren Larson also started wearing a cap when he would direct the high school plays. Like I think they did
‘South Pacific’ and he’d wear a Navy Captain’s cap. And I had caps for the rest of the ones that I directed as well. Some were sort of outlandish.
The other ‘Joseph’ thing that I remember was that Warren Larson directed the vocal, and he had so many changes to the music that I spent fully a third of our rehearsal time telling the musicians what to change in their music, where to cut, where to change key and all of the alterations. We spent seems as much time changing
the music as we did actually playing it. It was really, really involved. But it was a great show. |
Our Technicolor Dream -- a reminisce by John Silah
The show that seems to be the most universally acclaimed as the best musical that Fond du Lac Community Theatre has done is probably "Joseph and the Amazing Technicolor Dreamcoat," which we staged in 1996. Many people told us that it was as good as productions they had
seen in Milwaukee and Chicago.
It was a joyful play, with show-stopping, Andrew Lloyd Webber music, fine performances, magnificent costumes – everything that makes a show great. I had some adult volunteers to help with the lighting, and together we created some striking effects.
The "mega-mix" at the end had people clapping and dancing – even the “techies” were dancing at their technical stations. One of our crew, Tom Lanari, was helping out with sound. When one of our cords started to come loose, and threatened to ruin the music, Tom grabbed the connectors
and held them together with his bare hand. Despite the fact that the malfunction was causing a painful electrical charge to go through his arm, Tom held the connection together throughout the entire mega-mix. I had my differences with Tom, but you can’t knock that kind of dedication.
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